I am a painter drawn to the poetry of liminal moments—those pauses between gesture and stillness, memory and presence. My work explores the tension between what is seen and what is felt, between the finite and the eternal.

The sea is never just a landscape, and a portrait is never merely a likeness. I approach each canvas as a stage on which presence—human, elemental, elusive—can take form. My brush echoes the fluidity of memory, my impression of a moment, while carrying weight and dimensionality. I am compelled by moments of ritual, movement, gratitude and introspection—the emotional choreography we carry within.

Recent works such as The Shadow Beside Her (a bowed moment of reverence and ambiguity) and Where the Sea Breathes (a woman poised before a crashing wave in conversation with the sea) embody these dual explorations. One turns inward, toward the intimate; the other outward, toward the elemental and eternal. Together they illustrate the two intertwined threads of my practice.